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Using Samba
Using Samba,A File & Print Server for Linux, Unix & Mac OS X
This book is the comprehensive guide to Samba administration, officially adopted by the Samba Team. Wondering how to integrate Samba's authentication with that of a Windows domain? How to get Samba to serve Microsoft Dfs shares? How to share files on Mac OS X? These and a dozen other issues of interest to system administrators are covered. A whole chapter is dedicated to troubleshooting! The range of this book knows few bounds. Using Samba takes you from basic installation and configuration -- on both the client and server side, for a wide range of systems -- to subtle details of security, cross-platform compatibility, and resource discovery that make the difference between whether users see the folder they expect or a cryptic error message. The current edition covers such advanced 3.x features as: Integration with Active Directory and OpenLDAP Migrating from Windows NT 4.0 domains to Samba Delegating administrative tasks to non-root users Central printer management Advanced file serving features, such as making use of Virtual File System (VFS) plugins. Samba is a cross-platform triumph: robust, flexible and fast, it turns a Unix or Linux system into a file and print server for Microsoft Windows network clients. This book will help you make your file and print sharing as powerful and efficient as possible. The authors delve into the internals of the Windows activities and protocols to an unprecedented degree, explaining the strengths and weaknesses of each feature in Windows domains and in Samba itself. Whether you're playing on your personal computer or an enterprise network, on one note or a full three-octave range, Using Samba will give you an efficient and secure server.
by Gerald Carter
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Implementing Samba 4
Implementing Samba 4,
This book is an implementation tutorial covering step-by-step procedures, examples, and sample code, and has a practical approach to set up a Samba 4 Server as an Active Directory Domain Controller and also set up different Samba 4 server roles. This book is ideal for system administrators who are new to the Samba 4 software, and who are looking to get a good grounding in how to use Samba 4 to implement Active Directory Services. It's assumed that you will have some experience with general system administration, Active Directory, and GNU/Linux systems. Readers are expected to have some test machines (virtual machines), which will be used to execute the examples within this book.
by Marcelo Leal
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The Beatlife Book
The Beatlife Book,Playing and Teaching Samba
Published by Soar Valley Music, The BeatLife book/CD package includes basic and advanced versions for 6 rhythms, with intros, breaks and endings for all instruments. The book also includes the workshop plans and teaching methods used by BeatLife, hopefully this will be a great resource for drummers who want to teach, teachers who want to drum and kids who want to do both.
by Chris Preston
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Linux Network Administrator's Guide
Linux Network Administrator's Guide,
This introduction to networking on Linux now covers firewalls, including the use of ipchains and Netfilter, masquerading, and accounting. Other new topics in this second edition include Novell (NCP/IPX) support and INN (news administration).
by Olaf Kirch
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The Mystery of Samba
The Mystery of Samba,Popular Music and National Identity in Brazil
Samba is Brazil's "national rhythm," the foremost symbol of its culture and nationhood. To the outsider, samba and the famous pre-Lenten carnival of which it is the centerpiece seem to showcase the country's African heritage. Within Brazil, however, samba symbolizes the racial and cultural mixture that, since the 1930s, most Brazilians have come to believe defines their unique national identity. But how did Brazil become "the Kingdom of Samba" only a few decades after abolishing slavery in 1888? Typically, samba is represented as having changed spontaneously, mysteriously, from a "repressed" music of the marginal and impoverished to a national symbol cherished by all Brazilians. Here, however, Hermano Vianna shows that the nationalization of samba actually rested on a long history of relations between different social groups--poor and rich, weak and powerful--often working at cross-purposes to one another. A fascinating exploration of the "invention of tradition," The Mystery of Samba is an excellent introduction to Brazil's ongoing conversation on race, popular culture, and national identity.
by Hermano Vianna
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The Brazilian Sound
The Brazilian Sound,Samba, Bossa Nova, and the Popular Music of Brazil
"Revised and updated edition of the 1991 publication (see item #bi 98010688#). Welcome additions are an expanded coverage of axâe music and other musical styles from Bahia, and information on recent Brazilian artists and musical styles"--Handbook of Latin American Studies, v. 58.
by Chris McGowan
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Brazilian Bodies and Their Choreographies of Identification
Brazilian Bodies and Their Choreographies of Identification,Swing Nation
Brazilian Bodies, and their Choreographies of Identification retraces the presence of a particular way of swaying the body that, in Brazil, is commonly known as ginga . Cristina Rosa its presence across distinct and specific realms: samba-de-roda (samba-in-a-circle) dances, capoeira angola games, and the repertoire of Grupo Corpo.
by Cristina F. Rosa
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Making Samba
Making Samba,A New History of Race and Music in Brazil
In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act—claiming ownership of a musical composition—set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music. The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.
by Marc A. Hertzman
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The Brazilian Guitar Book
The Brazilian Guitar Book,
* A complete guide to playing guitar accompaniment and chord melodies in various Brazilian styles -- Samba, Bossa Nova, Frevo, etc. * Comes with a CD of Nelson demonstrating each exercise, plus a tune in each style * Many variations of basic comping patterns written out, each with complete chord voicings. * Also includes short transcriptions of guitar parts as recorded by Toninho Horta, Joao Bosco, Joao Gilberto, etc.
by Nelson Faria
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We the Media
We the Media,Grassroots Journalism By the People, For the People
"We the Media, has become something of a bible for those who believe the online medium will change journalism for the better." -Financial Times Big Media has lost its monopoly on the news, thanks to the Internet. Now that it's possible to publish in real time to a worldwide audience, a new breed of grassroots journalists are taking the news into their own hands. Armed with laptops, cell phones, and digital cameras, these readers-turned-reporters are transforming the news from a lecture into a conversation. In We the Media, nationally acclaimed newspaper columnist and blogger Dan Gillmor tells the story of this emerging phenomenon and sheds light on this deep shift in how we make--and consume--the news. Gillmor shows how anyone can produce the news, using personal blogs, Internet chat groups, email, and a host of other tools. He sends a wake-up call tonewsmakers-politicians, business executives, celebrities-and the marketers and PR flacks who promote them. He explains how to successfully play by the rules of this new era and shift from "control" to "engagement." And he makes a strong case to his fell journalists that, in the face of a plethora of Internet-fueled news vehicles, they must change or become irrelevant. Journalism in the 21st century will be fundamentally different from the Big Media oligarchy that prevails today. We the Media casts light on the future of journalism, and invites us all to be part of it. Dan Gillmor is founder of Grassroots Media Inc., a project aimed at enabling grassroots journalism and expanding its reach. The company's first launch is Bayosphere.com, a site "of, by, and for the San Francisco Bay Area." Dan Gillmor is the founder of the Center for Citizen Media, a project to enable and expand reach of grassroots media. From 1994-2004, Gillmor was a columnist at the San Jose Mercury News, Silicon Valley's daily newspaper, and wrote a weblog for SiliconValley.com. He joined the Mercury News after six years with the Detroit Free Press. Before that, he was with the Kansas City Times and several newspapers in Vermont. He has won or shared in several regional and national journalism awards. Before becoming a journalist he played music professionally for seven years.
by Dan Gillmor
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